My Love-Hate Relationship With Guitar Center

First things first, thanks for everyone who helped me reach 1000 subscribers on Youtube. That’s pretty cool.

Now… let’s talk about Guitar Center, and specifically their used department. I purchase a LOT of used gear from GC and while I never expect a perfectly pristine piece, I do expect the bare minimum as far as packaging, testing, and descriptions - as well as honesty and transparency when something goes wrong.

To date, I have placed 110 orders with GC since 2016 and totaling… a lot of money. I have gotten some great deals, I’ve splurged on a few things I really wanted - but the most notable thing is that out of those orders, 34 of them had a MAJOR problem, and yet another 26 had a minor issue. That’s 55% of orders that required either a return, partial refund, or some other extra step to make it right. I’m very go with the flow - not too anal about anything - and I’m not afraid to pick up a soldering iron or do my own little tweaks, setups and repairs, so for me to say there is an issue with only 55% is probably on the low side compared to many other buyers.

I want to define those categories - here are some examples of “major” problems I’ve had with GC orders: Shipping damage, broken headstocks, broken tubes, missing tubes, amp missing fuses (?!?!), broken bridge, trem arm bent into the socket, missing footswitches, missing case, other items listed in the description not included, electrical issues. “Minor” problems I’m more forgiving - that is for things like the broken caster wheel on my 4x12, shipping damage that was the fault of the carrier and not the packaging job, missing power cable, minor dings/dents damage not disclosed etc. I used to only classify things as a major problem if it resulted in a return, partial refund, or professional repair but lately - I’ve also been including any time I get an order cancelled without notification as a major problem. Maybe I’m getting old, but if I spent $1000+ on an item, and it’s cancelled 8 days later and all I get is an automated email telling me “sorry that YOU cancelled your order” I’m not going to be pleased, and it’s become such a pattern that what was previously a small thing has become a major problem.

Here’s a video I made discussing this very issue:

For those who don’t know, this is how GC’s used section works. Anyone can bring a used piece of gear to GC and trade it in, where GC will give you roughly 40% of the value of the item. This value is based on the knowledge of the GC employee you are working with, looking at their system - which means if you have something rare, special, or boutique… or worse, damaged, barely functioning, etc, they may not know how to properly price or test the item. This is why I’ll see high end USA Kramers listed for $500, and other times you’ll see a Striker worth 200 bucks listed for $1200, incorrectly called a Pacer in their system. Sadly this also creates an environment where the disingenuous will do a shoddy repair or trade in whatever they can in poor condition, and there are no strings attached once the item is traded in.

To top it off, GC sometimes lists items without pictures, and since the prices can sometimes be extremely aggressive, it means a lot of times you have to do a “buy first, I’ll return it later” kind of attitude if you are hunting for a piece of gear and it pops up online. That is the one saving grace for GC right now - their 45 day return policy. Usually, this return policy also refunds the shipping cost if the item is damaged in transit or otherwise not as described, but sometimes you have to make an argument for it.

There is also a problem with the shipping - guitars and amps from certain stores are well packed and tested before shipping out. Others don’t really put much care into it and will ship you a guitar or amp with a single layer of bubble wrap around it in an oversized box so it rattles around with 6 inches of room around it for a cross country trip - even if UPS gave it the white glove treatment it would still be likely to get damaged when packed like that!

There is also a trend - and I don’t want to sound paranoid - but it’s happened multiple times where I order something that is a very good deal and it either gets cancelled with no communication, and if I do call the store I get some kind of flimsy excuse. I have heard on three separate occasions that an amplifier “caught on fire” before they could ship it to me. I’m not saying it’s impossible, but in all my years of gear collecting and all the amps I’ve owned, I’ve never once seen an amp catch fire that wasn’t a simple fuse replacement. It’s just very suspicious… I once ordered a Splawn Nitro for $724 and had it cancelled for this reason. I find it hard to believe that the amp wasn’t sold to an employee or a local at the last minute and they just lied to me.

Here’s a highlight reel of guitar center mishaps - and these are only the ones I remembered to take photos of and doesn’t include anything that I plugged in and found out was broken later (like the Mark IVA I got last week):

I’m not saying I’m going to stop buying from GC by any means. Sometimes it is the best way to get a killer deal on a unique piece of equipment, and their shipping charges are inexpensive and returns mean there is always a safety net. I just hope someday to see even the bare minimum of effort put in - it would solve a lot of these issues. Just remember - when ordering from GC - always take screenshots and pictures when it arrives, don’t be afraid to ask for a full refund including shipping, and never depend on them for anything you truly NEED, for example if you are a touring or gigging musician, never expect used gear to work out of the box from GC. It’s just the reality of the situation right now.

Amp Room Reorganized

As my collection of amps has grown, I’ve been struggling with the best way to configure my studio to allow me to get good use out of them all, and maybe spend less time moving cables and power strips around.

I’m limited by the height of some shelves I installed (not strong enough to hold an amp head), so I picked up a storage rack that fits a few heads - but just barely. Glad I measured first!

Next to those, I brought my Fender 4x12 cabinet out of retirement, but with a twist. I removed the speakers, and installed 4 different models of Celestion 12” speakers, each with their own speaker jack wired behind. The great thing about this is I can test different amps with different speaker types easily, or I can mix speakers in pairs like an oversized 2x12, or I can even leave 4 heads all hooked up at once and ready to go.

On the other side, I’m just barely able to fit my 1x12 combo amps.

Here’s a look at the room now that everything is set up:



A Few Projects Are Coming Together

I’ve been extremely busy with a few projects at work so I haven’t had the time to fully complete some of my guitar projects. I finally have all of the parts arriving this week though, and should be able to assemble them soon! Here’s a mock-up of what they are going to look like - probably. I may change the necks around but this looks the best to me so far:

Special thanks to my friend Jaime who was able to supply a neck, floyd, and a fancy PJ Marx pickup for these.

A few Kramer guitar project updates

It’s been a while since the last update, but I’ve been traveling a lot for work and have had little time to work on my guitars. I was able to take a few evenings this week and I finally have completed one - and made a few changes to my others. The exciting news is that all three are fully playable - I may make a few minor changes moving forward, but I’m very happy to be playing them instead of staring at a pile of parts.

On the left, the transparent red Pacer C1 body from late 1989 - this body has some unique cutouts, despite sharing the 7/8 sharp-radius shape like the others. It has the recessed floyd cavity and lower horn scoop, but also has beveled scoops on both upper and lower horns on the rear side, similar to a Proaxe body. I’m not sure how it ended up this way - my speculation is that this is the final evolution of Kramer bodies, but based on the serial number this was one of the last ones out the door before bankruptcy so there is not a lot of information about.

This guitar was always very brittle sounding, so I removed the JB A2 and put in a PATB-1 Parallel Axis. I thought it would be funny to put the PATB into a guitar with the slanted humbucker mount, and it does sound great. I also wired up a tiny tone pot which sits fully open inside the control cavity to help tame some of the highs associated with having only a single volume knob.

The trans red pacer previously had the “claw” neck, which I moved to the FF Red sustainer body in the center. The action on the FF Red sustainer is as perfect as I’ve ever seen, really a fantastic player. This has a TB-4 JBJ that I removed from a ‘94 or so ESP Mirage, and the neck is a regular SH-4 JBJ, set much lower to keep the volume in check. This is a surprisingly great combination, and the JB is really fun in the neck position. The body was NOS, so it did not have holes drilled for pickup rings - so I mounted them directly to the wood since this would be the only opportunity to do so on a body like this. For now, there are only volume/tone and a selector, but I plan on wiring up some type of electronics to make use of the extra holes drilled in the body.

The white Sustainer finally has a neck pickup, a Dimarzio PAF Pro which I really enjoy - I think I’m growing to be a big fan of high output neck pickups. The Dirty Fingers in the bridge sounds awesome as always, but to occupy the extra holes in the body, I’ve installed a wah/midboost circuit from GuitarFetish. When it is turned off, I have access to volume, tone, a 3-way selector, and a 3-way coil tap switch towards the neck. The next switch is a two-way, which turns off or on the circuit, and the last switch changes the mode of the circuit, either Wah or Mid-boost. The third knob controls the active electronics - for example, I can preset a cocked wah sound with that knob, leave the effect off while playing rhythm, then flip it on with just the toggle for an instant solo tone, especially useful when covering songs with synth lead parts. Alternatively, I can set a boost amount, then flip on the mid boost with the switch for more gain. It’s a lot of fun, and I may use the same electronics on the FF Red project as well.

Kramer guitar project

I’ve wanted a maple fretboard Kramer for a long time, but they are few and far between in the “pointy” era (86-90). After I happened across a nice sustainer body on reverb for too low of a price to pass up, I had visions of a chance to do a graphic finish and a maple board.

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I lucked out and snagged a fairly beaten maple neck from Craigslist (thanks Joe!). Someone had tried to lacquer the neck and didn’t do the best job, but structurally it is in perfect shape. I personally like lacquered necks as opposed to satin or oil finishes, but this one looks to be lightly brushed on and has a few bumps along the back. I think when I have the time, I’ll do some sanding and apply some more lacquer to smooth it out, then it will be perfect.

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Since I don’t have the sustainer circuitry, I picked up a GFS Modboard that’s a switchable wah or midboost. I haven’t heard it yet, but with so many free holes for switches I wanted to put something in. I’m hoping I can get a similar sound to my Charvel Spectrum’s JE-1500.

At the moment, the bridge pickup is a Gibson Dirty Fingers, which I’ve never had before - and it sounds fantastic. My neck pickup is eventually going to be a Dimarzio PAF Pro, but the one I bought used has larger holes than I have screws for right now so I just left it empty for now. 

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Stay tuned as I add the rest of the parts and get to work on the finish. Really excited about how this is going to turn out!