The first time I’d ever seen - or heard rather - an Elmwood was in an Ola Englund demo video (back when it was just “FearedSE”). I remember thinking it sounded awesome, added it to some metal playlist on my old youtube account, and promptly forgot about it for most of a decade.
But let’s face it, I have a lot of amps, so now it’s time to explore some of the more uncommon, less popular stuff. Sometimes that means quirky budget amps like last week’s Peavey Butcher, but this time, it’s this Swedish made monstrosity.
It’s a pretty small head, physically speaking, but plenty heavy with large and uniquely shaped transformers. This is the big brother to the Elmwood M60, and as far as I can tell the only difference between the two is that this M90 is a KT88/6550 equipped amp while the M60 sports a pair of either EL34 or 6L6 power tubes. Both have the same controls and features - two channels, each with drive/boosts, and a pair of master volumes. Later M60’s also have a pentode/triode standby switch for power tube operation - looks like the M90’s always operate in pentode mode.
This particular amp seems to have lived an interesting life - it was sold on Reverb over 8 years ago, and at that time it had the stock piano black plastic face panel. It was traded on TGP, this time with a new dark wood grained panel, behind a plexiglass front, and newly printed control names - before popping up again on Reverb in 2023 and then traded in to GC where I got it. It looks like they used the correct font, but they couldn’t replicate the “M90 Modena” logo that normally goes about the power and standby switches. Additionally, they misspelled “Drive” on both the channel 2 drive switch and drive amount controls - it’s a minor thing, but what a weird thing to screw up… why not just reprint?
Cosmetic issues aside, it’s a very good sounding amp. The clean channel is particularly exceptional, and adding the boost really feels great - a useful crunch setting without just sounding like a pedal, or some other sacrifice made to add some oomph to a channel that otherwise would prefer to be clean. The drive channel is very mids heavy, and can do heavier metal styles right out of the box with the boost engaged. This boost also seems to cut bass in just the right way, so it stays tight and focused just like using an external boost - I’d love to see a schematic on this one, and I’d be interested to know if this is a tube boost (I doubt it, I guess?) or a more pedal-like diode or opamp clipper.
This aggressive built-in boost with its adjustable control knob reminds me a little of a progenitor of the modern Driftwood amps. This Elmwood dates to somewhere around 2009, a solid 5 years before the first Driftwood amps came out. Of course that’s not to say that no one has ever put a tubescreamer-like circuit into an amp before or after this, just interesting the way it looks/feels on this amp.
This amp is no rectifier or 6505 clone that’s for sure though, for better or worse. That mids-forward sound, even when boosted, is always present. It’s a great amp for developing YOUR tone and sound, but it wouldn’t be my choice if I wanted to cover some classic Recto, Mark, 6505, or even Marshall sounds. I hate this cliche, but it truly is “kind of its own thing.” What this really means is that some people will just not like this amp, while others might love it - it’s more specialized than others in this category. I think it got a bit of a “metal” reputation, but I actually think the place it excels the most is in some crunchy modern hard rock, and I bet it would sound absolutely insane in stereo with a wider/scooped amp like the aforementioned Rectifiers.